Monthly Archives: July 2012

Vintage Victuals: Christmas In July! Noel Glazed Ham

Noel Glazed Ham, 1967

“Be different! This year make the pacesetter of your company get-together an easy-carve boneless ham roll, glazed and trimmed in the grand French manner.”

Not only does this recipe (from a 1967 Family Circle publication) take 2 days to make, but in the end, you wind up with a baked ham frosted with gelled mayonnaise.

No, YOU try it. I made the ketchup pie, remember?

Noel Glazed Ham
Bake meat first to bring out its juicy-best flavor, then glaze, French style. Only last-minute job is to arrange platter.
Makes 12 servings, plus enough for a second-day treat.

7 to 8 pounds boned rolled ready-to-eat ham
½ red skin apple
4 green-onion tops
8 to 10 whole sprigs of watercress
2 cups cream for whipping
1 tablespoon dried tarragon leaves
½ teaspoon ground ginger
7 envelopes unflavored gelatin
1 cup cold water
2 cups mayonnaise or salad dressing
½ cup lemon juice
4 cups apple cider

1. Two days before your party, place ham on a rack in a large shallow baking pan. (Do not add water or cover pan.)
2. Bake in slow oven (325°) 1 hour and 15 minutes. Lift onto a large platter; cool, wrap, and chill overnight.
3. The next day, pare skin from apple in wide strips; split green-onion tops. Cut tiny flower shapes from each with a truffle cutter; place cutouts and watercress between sheets of damp paper toweling to keep moist.
4. Heat cream with tarragon and ginger just to scalding in a small saucepan; cool to lukewarm; strain through cheesecloth into a small bowl.
5. Soften 4 envelopes of the gelatin in water in a medium-size saucepan; heat slowly, stirring constantly, until gelatin dissolves; remove from heat. Beat in mayonnaise or salad dressing and lemon juice; stir in cream mixture. Let stand at room temperature.
6. Soften remaining 3 envelopes gelatin in 1 cup of the cider in a small saucepan; heat slowly, stirring constantly, until gelatin dissolves; stir in remaining 3 cups cider. Let stand at room temperature for Step 9.
7. Set ham on a wire rack in a large shallow pan. Pour about ½ of the mayonnaise mixture into a small bowl; place in a pan of ice and water to speed setting. Chill, stirring several times, just until as thick as an unbeaten egg white; spoon over ham to coat evenly. Chill ham about 10 minutes, or until coating is set.
8. Repeat Step 7 with remaining mayonnaise mixture, half at a time, to make a thick coating on ham. When top layer is just sticky-firm, press apple and onion cutouts on top of ham and watercress along side to make a festive pattern. Lift ham onto a clean platter, Chill until coating is firm. Wash pan and rack.
9. Pour about half of the cider mixture into a small bowl; place in a pan of ice and water to speed setting; chill until as thick as unbeaten egg white.
10. Return ham to rack in pan; spoon thickened cider mixture over top to coat evenly; chill until firm. Repeat with remaining cider mixture. Spoon any that runs off ham into a shallow pan and chill until firm for garnish. Chill ham until party time.
11. When ready to serve, place ham on a large carving board. Frame with lemon leaves, if you wish. Cut extra gelatin into tiny cubes and pile around ham. Carve ham into slices about ¼ inch thick, as needed.

As a warm-weather treat, this does have the advantage of being served cold. And since it calls for ready-to-eat ham, I think you could skip the part where you bake it for 75 minutes, then chill it again. Maybe that step is required to dry out the ham enough so that the mayonnaise sticks better. Oh yeah, that’s an appetizing thought.

Um, bon appétit?

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Household Hints (1944) AND VOTE FOR ME

EDIT: Just as I was about to publish this rather dry little post today, a text came through on my phone: “Are you aware that your website is listed as a contestant for Lulu’s Vintage people’s choice top 10 vintage clothing websites?” NO, NO I DID NOT. I realize that any ol’ person can write in any ol’ shop, but it is SUCH AN INCREDIBLE HONOR to know that one (or more) of my customers or colleagues submitted Tiddleywink for this annual competition! To be mingling with such fabulous company is just blowing my mind right now. And hey, yeah, vote for me! I do my best to find you pretty, affordable items, to research them thoroughly, and to list them with honesty and integrity. My shop is pretty terrific. :)

I now return you to today’s regularly scheduled programming.

Handy Hints from The Work Basket, Volume 9, No. 4 (January, 1944)

  • To prepare sour milk quickly for use in baking soda recipes use 1 1-3 [sic] tablespoons vinegar in a cup, adding the sweet milk until the combination of milk and vinegar equals the quantity of sour milk required. Mix well. The resulting sour milk will react with ½ teaspoon soda. It can be used in place of sour milk or buttermilk in any baking soda recipe.
  • When buying buckles or buttons to be used on wash dresses, don’t get the kinds that are glued on to the shanks. They will come off in laundering.
  • After towels have been wrung out of last rinse, fold them as you would to put away on shelves, then run them back through wringer. Unfold once and lay towel over line, with crease of fold running along the line. They dry straight and are ready to be put on shelves.
  • To avoid wrinkles in the legs of trousers caused by hanging across wire clothes hangers, cut a piece of fairly stiff cardboard two inches wide and two inches longer than the rack. Notch in one inch from each end and fit to rack. Trousers hung over this do not wrinkle even when left on for months.
  • To make sure fudge will reach its destination in a good creamy condition, pour the warm candy into the box which you have previously lined with waxed paper. Allow to harden without cutting. Seal the top with Scotch cellulose tape.
  • Cook liver first over high temperature to sear. This keeps in the juices. Then lower heat.
  • The flavor of an apple pie is greatly improved if the juice of half a lemon is squeezed over the apples after they have been placed on the lower crust.
  • Buttons which have been torn off children’s rompers or underclothing can be replaced by sewing the button securely to a small piece of strong tape. Push the button through the hole, leaving the new square on the wrong side of the garment. Fell this down to the garment beneath the button. Thus you are patching as well as sewing on the button.

Tomorrow: Christmas in July! A delightfully awful mid-century “glazed” ham that should never grace any holiday table. 

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In The Swim (1955)

Okay, okay, okay. I have a Pinterest account, right? And I see all the clever ideas and pretty things and want to repin this and that and the other. But I have this thing, this personal code of ethics, wherein I like to actually confirm the information in the caption before forwarding it on to my followers. Judging by the pins I find out have totally erroneous captions, I am in the minority in this way.

S’anyway.

I see this pin. It’s a scan of an old Maurice Handler swimsuit ad. Delightful, pretty swimsuits. But, as usual, the pin is lacking any useful caption and links to a Tumblr page with an equal dearth of detail. (Tumblr is even worse than Pinterest for the rapid-fire spread of misinformation. A total ABSENCE of information is better than WRONG information, though.) So I put on my Bunny Watson hat and start to do some sleuthing. Sleuth sleuth sleuth. I don’t find the specific ad that was pinned, but I do find the below ads, with very similar styles to those I was seeking, all scanned from the June 3, 1955 edition of the Lewiston (Maine) Evening Journal. Enjoy some fun in the sun!

Jantzen “Knit Chine,” 1955

“Vanishing Hips” by Catalina, 1955

Rose Marie Reid “Bloomer Beauty,” 1955

“Stage Business” by Maurice Handler, 1955

If you want to read the entire newspaper, you can find it archived here. Thanks, Google!

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Handbag Week! Day 5 (finally)

Our week of handbags continues, in chronological order. We lingered on the ’40s and ’50s this week, but today, our final day, the pace is back on track. Get ready for a whirlwind of purses bringing us up into the 2000s! Clicking on any image will bring up a somewhat larger view for detail study.

Evening bag with white and green rhinestones, Caméléon, 1960s

Bamboo handbag with textile interior, Italy, 1970s

Brass and velvet box bag, Lou Taylor, 1980s

Round two-tone leather shoulder bag, French Moon, 1996

Leather bucket bag with unique handle, Aisa Lafour, 2003

This wraps up our Handbag series, and I hope you’ve enjoyed it. I’ll be back on Monday with…something!

CREDITS: Photography by Jenna Bascom and Ken Music Photography. All handbags shown here are from the collection of Tassenmuseum Hendrikje/Museum of Bags and Purses, Amsterdam.

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Handbag Week! Day 4

Our week of handbags continues, in chronological order. Yesterday was all 1940s, all the time so if you know your decades, you realize that today we’re focusing on the 1950s. Clicking on any image will bring up a somewhat larger view for detail study.

I am intrigued by the shape of the bucket bag shown here, and found two online (here and here) at very reasonable prices.

The brass frame bag by Toro isn’t identified as such by the museum, but I’ve seen a few (very few) of these bags, one with the Toro hallmark, and the style, clasp, and handle are so unique that I think it’s a safe bet they’re all Toro bags. You can look for them, but you’ll be lucky to come across one. I found one of these “butterfly” models today in a store’s Sold archive, it went for $260. (Disclosure: I have a Toro of this shape in my unlisted inventory. I’ve had it for a while, actually. It would seem that I’m having a hard time parting with it.)

The Chanel bag is one you may recognize, because it’s still in production today as the Classic Flap Bag.

The telephone cord tote took me by surprise. Red and black phone cords? Without seeing the construction in person, I had this pegged as an ’80s creation. But no! To celebrate Western Electric’s then-new spiral telephone cord invention, some creative manufacturer used the all-new cords in an all-new way. Well done, anonymous artist!

CREDITS: Photography by Jenna Bascom and Ken Music Photography. All handbags shown here are from the collection of Tassenmuseum Hendrikje/Museum of Bags and Purses, Amsterdam except for the Chanel bag, from the vast collection of Sandy Schreier.

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